Tag Archives: AcidRock

Terminal Cheesecake return with Cheese Brain Fondue: Live In Marseille

“One of the eighties most sonically unhinged bands of all time.”
The Arts Desk

“A delirious carnival of head music interrupted by nightmarish sound collages; a manic parade celebrating both the surreal and psychopathic, with a cast of characters ranging from serial killers to sex toys, circus freaks to a children’s choir and naked hippies.” The Quietus

Formed in East London in 1988 as the brainchild of Gary Boniface (The Purple Things, The Vibes), Russell Smith (A.R. Kane, MARRS), bassist Mick Parkin and drummer John Jobbagy, Terminal Cheesecake are one of England’s greatest musical oddities.

Like Pink Floyd and Hawkwind before them, as chief exponents of unmerciful, head-frying psychedelia, deranged dub and electronica, over a career spanning five albums – Johnny Town-Mouse (1988), VCL (1989), Angels In Pigtails (1990), Pearlesque Kings Of The Jewmost (1992) and King Of All The Spaceheads (1994) – they stand out as a remarkable anomaly.

In part influenced by the likes of Pussy Galore, Big Black and Butthole Surfers, they are an essential entry into the folklore of decidedly English eccentricity and experimentation with a legacy that has lived on over the years through a devoted coterie of fans, chaotic live shows and visionary records. Most notably, and indeed more recently this year, with the twenty-fifth anniversary of their seminal album Angels In Pigtails, released in 1990 on Kevin Martin’s (GOD/Ice/Techno Animal/The Bug) Pathological Records. An album that went some way to expunging the impure mash and disorder of previous releases to create a rich vista from otherworldly instruments, emerging sample technology and even greater psychosomatic depth. All to devastatingly brilliant effect.

Over the course of their trajectory the band adapted to several line-up changes before going on to release three more albums before disbanding in 1995. In 2013 however, they returned after a twenty-year hiatus with Russell Smith coming back into the fold, joined by guitarist Gordon Watson, original drummer John Jobbagy, Head of David’s Dave Cochrane on bass and new vocalist Neil Francis from Manchester’s equally exceptional Gnod. Retreating to the idyllic surroundings of Smith’s home in Bordeaux, the new five-piece line-up rehearsed for a number of outstanding shows in France and the UK, including Oxford’s Supernormal Festival and London’s Corsica Studios.

This August, with guitars placed firmly back at centre stage and a new lease of life running rife through their ranks Terminal Cheesecake release their first record in over twenty years. A live album (of all things!) that dusts off and reawakens the likes of ‘Johnny Town-Mouse’, ‘Bladdersac’ and ‘Herbal Spaceflight’ and puts forward new material as audible evidence of their peculiar, psychedelic and experimental potency.

“Personally, I have been a fan of the band since their first record on Pathological, and I connected with some fellows who were also deep into all things Terminal Cheesecake, so we traded live recordings,” explains Artificial Head Records’ Paul Chavez.

“There was something very dark and sinister about their sound. But also something maniacal and whimsical.  I couldn’t stop listening and ultimately found their first two releases a few months later. As time rolled on I connected with the band and kept bugging them about new or unreleased material. Finally, when I heard about the upcoming live release I kept prodding that it should be on my label… and here we are.” Cheese Brain Fondue: Live In Marseille will be released on 11th August on the Houston, Texas-based label Artificial Head Records.

Cheese Brain Fondue: Live In Marseille will be released on 11th August on the Houston, Texas-based label Artificial Head Records.

DoctoR DooM announce new album This Seed We Have Sown

“With a devilish affection, the band conjures up a foggy brew of wicked blues and righteous stoner rock.”
Heavy Planet

“DoctoR DooM does everything you could possibly ask of them to introduce themselves as major new players in the heavy rock underground.”
The Ripple Effect

Formed in the French town of Ariège in the Midi-Pyrénées by guitarists Jean-Laurent Pasquet and Jérémie Delattre, since their formation in 2011 DoctoR DooM have blazed an impressive underground trail for followers of new, authentically crafted hard rock, metal and progressive blues.

Having come together out of a shared appreciation for forgotten 60s and 70s music, it didn’t take long for the duo to find kindred spirits in drummer Michel Marcq and bass player Sébastien Boutin Blomfield as they sought to pull together the rhythm section required to knock out a monumentally heavy live set. Initially performing covers of Coven, Thin Lizzy and Deep Purple, out of the riffs and drum rolls of old grew new, original numbers that would later surface fully formed on their 2012 debut DoomO EP on STB Records.

Inspired by the recent wave of Scandinavian stoner/rock bands such as Graveyard, Witchcraft and Spiders, throughout 2013 and 2014 DoctoR DooM took part in a series of high profile festival appearances including Spain’s Riff Ritual Fest, Doom Over Karalis in Sardinia and Germany’s much-celebrated DesertFest before taking to the studio at the end of last year to record their very first LP.

This Seed We Have Sown by DoctoR DooM will be released worldwide on 24th July 2015 on Ripple Music, with a limited vinyl released on STB Records out toward the end of June.

Prophets of Saturn announce new album on HeviSike Records

“Leicester’s Prophets of Saturn are intent on setting metal’s evolutionary clock back to the stone age.”
Chybucca Sounds

Hailing from the British Midlands, English psych-metal four-piece Prophets of Saturn return this July with a follow-up to their 2013, self-titled debut on the Birmingham-based label HeviSike Records.

Offering up a heady excursion into the dope-smoking amplifier-worship of Pentagram, Saint Vitus and Electric Wizard, Retronauts is for neither the faint of heart nor mind. Traversing cosmic ley-lines on an antiquarian journey through the lineage of English proto-metal, a lysergic love of Cream, The Beatles and fellow Midlanders Black Sabbath permeates Prophets of Saturn’s sound. A sound laced in equal measure with both the usual and unusual, from a band possessed to the point of lunacy with channeling bad acid trips, occultism and electrified doom through a fuzz box to get out of it the desired winding riffs and demented wails.

Like their debut – originally released on Cosmic Tomb and later rereleased by HeviSike Records on limited edition CD and cassette – Retronauts is a must-hear for fans of spaced-out, groove-laden metal. The kind committed to analogue tape in the most esoteric of studios and best heard live through vintage stacks.

Known for their commanding and mesmerizing stage shows the band has shared stages recently with the likes of Wounded Kings, Bong, Goatess and Admiral Sir Cloudesley Shovell and play a number of dates this summer in support of the album’s official release. (See live dates below.)

Retronauts by Prophets of Saturn will be released on 17th July 2015 on HeviSike Records.

Prophets of Saturn Live:

Thur, 16th July – The Musician, Leicester (Album Launch Party, support TBA)
Fri, 17th July – Chameleon Arts Cafe, Nottingham (w. Witchsorrow and Iron Void)
Sat, 25th July – The Northumberland Arms, Newcastle (support TBA)
Sat, 1st August – The Rigger, Newcastle-Under-Lyme (w. Trippy Wicked & The Cosmic Children of The Knight and Space Witch)

Proto-Metal legends JPT Scare Band Return!

“One of the lost pioneers of Proto-Metal.”
Classic Rock Magazine

Banded together during the tumultuous years of the early 70s, JPT Scare Band fused a sound equally heavy in hard rocking blues as it was tripped out in psychedelia, creating a sound so imposing that it perfectly reflected the emotions of the era. Formed by guitarist/vocalist Terry Swope, drummer Jeff Littrell, and bassist Paul Grigsby, JPT Scare Band began recording songs in their Kansas City basement and soon compiled a vault full of reel-to-reel tapes that would make up much of the band’s catalogue.

Though the band formed in 1973, JPT Scare Band’s first album, Acid Acetate Excursion, wasn’t released until 1994, over twenty years after the band’s formation. Along with Acid Acetate Excursion, the band, in conjunction with Monster Records, released two more albums, 1998’s Rape Of Titan’s Sirens and 2000’s Sleeping Sickness. Both releases highlighted the bands heavy psych/proto-metal blues sound through the otherworldly and unheralded guitar work of Terry Swope, and each has become an underground cult classic.

The new millennium has seen JPT Scare Band delve deeper into their archive of recorded material, accumulated through massive jam sessions throughout the 70s, as well as the 90s, and a flood of product was soon released. Through the band’s self-realised label Kung Bomar, seven albums hit the streets including 2002’s brilliant Past Is Prologue, 2007’s stunning release of all new material with Jamm Vapour and most recently, 2009’s Rumdum Daddy.

In the waning months of 2009, JPT Scare Band merged their energies with rock label Ripple Music to release Acid Blues Is The White Man’s Burden, a collection of unreleased tracks, extended jams, and outstanding cover tunes that helped bridge the gaps in the JPT chronology and turn on a whole new generation on to their classic version of acid rock.

Despite being scattered across the US, JPT Scare Band has never stopped working and creating relevant music. JPT have the uncanny ability, an almost shared consciousness, to pick up right where they left off after being apart for fifteen years and hammer out a set of hard edged guitar driven rock that would have made Cream sound soft. JPT Scare Band will appeal to fans of Jimi Hendrix, Cream, and Black Sabbath.

This April, Ripple Music will release a very special LP set consisting of their first two, seminal releases – Acid Acetate Excursion and Rape Of The Titan’s Sirens – re-presented in full, with new gatefold album art that incorporates the images of the original two albums. Originally recorded in the 1970s, these albums have been out of print since the original Monster Records release in the early 90s and represent the full early history of the band that Classic Rock Magazine once hailed as one of the, “lost pioneers of Proto-Metal.”

Acid Acetate Excursion and Rape Of The Titan’s Sirens will be released together via Ripple Music on 28th April 2015. Stream and share album track ‘It’s Too Late’ here https://soundcloud.com/ripplemusic/07-its-too-late