Tag Archives: Grunge

Sweden’s FIREBREATHER to release debut | Share ‘The Ice Lord’ with Decibel

There’s no escaping the fact that Sweden is an incomparable breeding ground for some of the heaviest and most crushing metal bands in the world right now. Amon Amarth, Grand Magus, Candlemass, Vokonis, Monolord… all have crossed the water and duly conquered in recent years. In fact, even those yet to arrive can more often than not be found waiting in the wings, battle horn in hand heralding trepidation, Scandinavian-promise and riffs the size of long ships.

One such band waiting to scorch the earth upon which they land is Gothenburg trio FIREBREATHER who will release their self-titled debut album on Suicide Records this coming October. Relatively new to the fold having formed in the spring of 2016 from the ashes of underground doom heavyweights Galvano, FIREBREATHER is a devastatingly weighty statement of intent. Taking in four tracks that swallow time behind tooth shattering riffs from guitarist/vocalist Mattias Nööjd and crunching rhythms via bassist Kyle Pitcher and Tommy Hanning (newly replaced by drummer Fredrik Käll), FIREBREATHER are a jaw-breaking triptych of sludge and doom rock.

Mastered by Brad Boatright (Sleep, Corrosion of Conformity, Beastmilk, Obituary) at his Audioseige Studio in Portland, OR and featuring artwork by legendary underground artist Adam Burke, FIREBREATHER are out to make 2017 their own. With a European tour announcement on the horizon, in the meantime head on over to Decibel Magazine now for an exclusive look at their brand-new video for ‘The Ice Lord’ – https://www.decibelmagazine.com/2017/08/01/video-premiere-firebreather-ice-lord/

FIREBREATHER is released on 13th October 2017 on Suicide Records.

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Funeral Horse return with new album Divinity For The Wicked

“Fuzz-drenched psych-stoner romps full of punk irreverence.”
Powerplay Magazine

Made up of front man/guitarist Paul Bearer, bassist Jason Andy Argonauts and drummer Chris Bassett, Funeral Horse return to the fold this September with a brand new album Divinity For The Wicked on the Houston-based label Artificial Head Records.

Like a vision of ’80s post-hardcore punk rock, red-eyed and burning one in the back of Heavy Metal History 101, under the influence of The Melvins, Kyuss and Harvey Milk, Funeral Horse make music to gouge minds to. From album opener ‘There Shall Be Vultures,’ a track that straight off the bat (teeth flying) showcases one of the many strutting rock assaults the trio have become expert in peddling, Divinity For The Wicked throws open its doors to a wider world of distortions and digressions. Leading the charge with ‘Underneath All That Ever Was’, a lumbering paean drawn in part from the words found in a suicide note of one of Bearer’s co-workers which had gone unnoticed for several days pinned to an office bulletin board, this is Funeral Horse at their darkest and most pensive. The Tuareg desert blues of ‘A Bit Of Weed’, the funereal bagpipes that send off ‘Gifts Of Opium And Myrrh’ and slow cinematic burn of instrumental ‘Cities Of The Red Night’ suggest there’s more than meets the immediate ear this time around for a band already masterful in the delivery of unfiltered noise and heavy fuzz rock.

Following on from last year’s imposing Sinister Rites Of The Master, and the thunderous lo-fi highs of their 2013 debut Savage Audio Demon, amid a mass brawl of riffs, megaphonic vocals, blues and backwater proto-metal, Divinity For The Wicked stands as a humble monument to the marginalised and maligned. An album just waiting to be picked up and played by those that have chosen to drop out and dedicate their entire existence to the pursuit of volume.

Divinity For The Wicked by Funeral Horse will be released on 15th September through Artificial Head Records. Stream and share new song ‘Underneath All That Ever Was’ below: