Rising from the underground of Sydney’s stoner rock scene, the Arrowhead brotherhood fire an explosive, all killer/no filler triptych of volume, attitude and down-tuned grooves.
Hitting you harder than a Frank Frazetta-airbrushed panel van travelling at 100mph, Arrowhead is very much a band defined by the riffs that raised them. Fronted by guitar player, vocalist and chief songwriter Brett Pearl, Brett was brought up on a staple diet of classic rock with Hendrix, Zeppelin, Floyd and Sabbath rarely leaving the turntable. Joined by fellow purveyor of low-end grind is bass player/Viking Arron Fletcher, guitarist Raff Iacurto and living backbone of the band, Matt Cramp on drums.
With each member feeding into the Arrowhead-approved vision of hard rock reverie via Hollywood monsters and science fiction cinema, having paid their dues as a band since late 2009, following on from 2010’s Atomsmasher EP, their self-titled debut and 2016’s Desert Cult Ritual, the latest addition to the quartet’s quiver is new album, Coven of the Snake. An album that is equal parts venom and mysticism, and 100% blood-bound to steal your soul in the name of rock and roll.
Arrowhead’s Coven of the Snake is released on 12th July 2019 through Ripple Music. Stream and share ‘Coven of the Snake’ video below:
Chief proponents of hard rock and grievous genre assault, Deaf Radio, the Athens’ based quartet make a much-welcomed return this month with the release of the brand-new single, ‘Astypalea’.
The first song composed, recorded and lifted from their as-yet-untitled second album, which is due for release later this year, ‘Astypalea’ is a captivating glimpse of things to come
Written on the rooftops of old churches in Astypalea, a secluded Greek island in the Dodecanese, lyrically it focuses on the connections and experiences between each band member, with marauding and majestic guitars reminiscent of Queens of the Stone Age and Rise Against. A song that begs to be played loud, this is the first recording made by the desert rockers since the release of their successful debut album, Alarm in 2017. Hailed as one of the best alt-rock albums from Greece in recent memory, it has since gone on to garner hundreds of thousands of streams online, and praise from ecstatic sell-out crowds when performed live across Europe.
Having shared stages with the likes of The Killers, All Them Witches, 1000mods and The Kills, Deaf Radio toured Europe throughout 2017 and 2018 and played in over thirty cities, serving as the perfect test ground material soon to be released on their second full-length album, due for release in the autumn.
New album chronicles vocalist Matt Hyde’s battle with Non-Hodgkin Lymphoma – “The fear of death is enough to make you want to live”
“Beastwars have long been regarded as one of metal’s best kept secrets.” METAL HAMMER
“Beastwars’ live prowess is downright legendary south of the equator.” NOISEY
“If there is any justice in metal it shouldn’t be too long before Beastwars are dragging their distinctive sound – one which includes but is not limited to High on Fire’s molten sludge, Kyuss’s Sky Valley grooves and the rhythmic backbone of Unsane – to a sweat and sawdust venue near you.” TERORRIZER
Returning in 2019 with what will undoubtedly become one of this year’s most revelatory releases, IV, the fourth instalment in Beastwars’ canon is life affirming in more ways than one.
So heavy and heavily admired around the world, New Zealand’s legendary metallers are back this June with a new lease of life – quite literally – following vocalist Matt Hyde’s recovery from Non-Hodgkin Lymphoma. After undergoing six months of treatment in 2016 he is now in remission and today the band announces their long-awaited return, along with the release of their first single in three years, ‘Omens’.
Shaped by Hyde’s recent experiences through his diagnosis and subsequent treatment, he was given an opportunity to look into the abyss, beyond life as we know it. “Throughout the treatment I was numb,” he explains. “It’s interesting to have the ability to confront that, to confront the void, to confront the idea of mortality. I didn’t make peace with it either.”
The experience and loneliness in isolation of treatment gave Hyde plenty to consider. Life, friendships and relationships, especially with his then ten-year-old daughter resulted in a record that leaves nothing unsaid. “I was lucky that I had music to express what had happened to me,” Hyde says. “A lot of people don’t have that. I was very lucky that we could make a record. I took the time to process it and turned it into something else.”
In 2011, Beastwars released their self-titled debut to critical acclaim and in doing so transformed New Zealand’s metal landscape forever. Reviewers celebrated the album’s, slow-burning blend of lysergic and premonitory metal and compared the band to Kyuss, Neurosis and Godflesh, while hinting at influences as diverse as The Jesus Lizard, Black Sabbath, and in Hyde’s ‘avant-grunt’, Celtic Frost.
Two years on from their internationally acclaimed debut, Beastwars returned in 2013 with Blood Becomes Fire, delivering ten songs that retained the strength and psychedelic power of their first while presenting a kinetic evolution in vision. Closing the post-apocalyptic trilogy, 2016’s The Death Of All Things signalled the long overdue arrival of one of metal’s best-kept secrets, out from under and ready to take on the world full tilt.
To celebrate the band’s fearless return to the fold, Beastwars will tour New Zealand and Australia in June/July (see below) and perform at the Dead of Winter Festival in Brisbane.
IV, the new album from Beastwars will be released on Friday 28th June 2019 and can be pre-ordered on limited edition vinyl, cassette, CD at http://www.beastwars.bigcartel.com.
Watch and share the new video for ‘Omens’ below.
IV ALBUM RELEASE TOUR
With special guest Witchskull (AUS)
28/6 – San Fran Wellington
29/6 – Galatos – Auckland
5/7 – Blue Smoke – Christchurch*
6/7 – The Cook – Dunedin*
11/7 – Crowbar – Sydney (w. Potion)
12/7 – The Gershwin Room – Melbourne (w. Dr. Colossus + Droid)
13/7 – Dead of Winter Festival – Brisbane*
“Valley of the Sun sound like one of those bands best experienced in a dive bar with sweat dripping off the walls – a perfect setting for the short, sharp shock of ‘The Hunt’, the QOTSA-esque jaunt of ‘Land of Fools’, where Ryan Ferrier’s huge vocals sound like Steven Tyler experiencing an exorcism.” METAL HAMMER
“There’s no question that Valley of the Sun are placing themselves at the forefront of the new generation of American heavy rock.” THE OBELISK
“Volume Rock may go down as one of the best stoner rock albums of the year because it understands how to go full-throttle joyously. The album is the result of the band firing on all cylinders.” NEW NOISE MAGAZINE
Fuzzorama Records – home to world beating rock of Truckfighters, Deville and Skraeckoedlan – is thrilled to announce the release of Old Gods; the brand-new studio album US trio, Valley of the Sun.
Formed in Cincinnati, OH in 2010, the band instantly established themselves as a force to be reckoned with, thanks to an impressive succession of self-released EPs; the kind that never seem to go unnoticed/unheard for long. Often compared to the likes of Corrosion of Conformity, Alice in Chains and Badmotorfinger-era Soundgarden – the latter due in no small part to singer Ryan Ferrier’s exemplary vocal range – listeners are treated to a sound that runs the gamut of blues, hard rock, grunge and heavy metal; with big riffs, fuzzed out hooks and deep bass grooves.
For the band, whose last release came in 2016 with the impressive Volume Rock, new album Old Gods – their third album on Fuzzorama Records – is a new and exciting concoction expertly packaged and delivered with a raw and unbridled power whether listened to via stage or speaker. In this incarnation, incorporating heady moments of psychedelia and assuming a form unlike anything the band has ever attempted before.
“To me, Old Gods is a meditation on who I once was, who I am now, and who I’d like to become,” explains guitarist/vocalist Ryan Ferrier.
“We try to evolve with each album,” adds drummer Aaron Boyer. “On Old Gods we added some heavier elements, darker tones, and a touch of psychedelia. We tried some things on this record that we’ve never done before and that made it a lot of fun to make.”
Old Gods by Valley of the Sun is released on 24th May 2019 and can be pre-ordered via Fuzzorama Records HERE. Editions of Old Gods will include gatefold splatter (only sold at live shows and directly through Fuzzorama), gatefold transparent green, gatefold black and CD digipak.
VALLEY OF THE SUN – TOUR DATES: US/Canada with BELLRINGER (feat. Mark Deutrom of Melvins)
4/13/2019 – Milwaukee WI Cactus Club
4/14/2019 – Iowa City IA Wildwood
4/15/2019 – Sioux Falls SD Bigs
4/16/2019 – Fargo ND Aquarium
4/17/2019 – Winnipeg MB Windsor Hotel
4/18/2019 – Saskatoon SK Amigos
4/19/2019 – Edmonton AB Starlite
4/20/2019 – Calgary AB 420 Fest
4/23/2019 – Vancouver BC Astoria
4/24/2019 – Portland OR High Water Mark
4/25/2019 – Seattle WA El Corazon
4/27/2019 – Sacramento CA Cafe Colonial
4/29/2019 – Los Angeles CA Resident
4/30/2019 – Phoenix AZ Club Red
5/02/2019 – Austin TX Come And Take It Live
5/03/2019 – Ft Worth TX Lolas
5/04/2019 – Oklahoma City OK 89th Street
5/05/2019 – St Louis MO Fubar
5/06/2019 – Kansas City MO Riot Room
5/07/2019 – Chicago IL Reggies
