Prolific psychedelic metallers SPACESLUG return with new album | Premiere new video for ‘Obsolith’ with Decibel Magazine

Formed in Wrocław, Poland in 2015 by guitarist Bartosz Janik and drummer Kamil Ziółkowski, Spaceslug was born a singularity; a rare and unusual discovery found deep amidst a cosmic multiverse of doom, stoner metal and progressive rock.

Completing their line-up shortly after that initial bang with the arrival of Jan Rutka on bass, the trio soon began their journey through space and time; writing, recording and releasing their debut album Lemanis in 2016 on BSFD Records/Oak Island Records to wide acclaim. (

”If Black Sabbath’s ‘Planet Caravan’ had riffs, it would sound like this album,” The Shrieks From Below)

With the album enthusiastically received on terra firma, Spaceslug’s quite frankly supermassive sound served as a flawless introduction. A sound where moments of dark desolation sidled up neatly alongside light and hope, riffs and soar-away vocals, it opened a sonic gateway into the hard rock underground and pathed the way for their devastatingly brilliant follow-up, Time Travel Dilemma. Released just one year after their debut, the album kept the cosmic cannon firing on all cylinders and like their Mountains & Reminiscence EP (released later that same year) their ticket was deservedly stamped and valid beyond the stratosphere.

This July will see the official worldwide release of Eye the Tide, Spaceslug’s third full-length album and the closing entry in their personal trilogy:

“It took us just four months to create our first album, Lemanis, and we wanted it to be more than just a project. We wanted it to be a journey into another dimension,” explains guitarist Bartosz Janik. “With Eye the Tide, we want this third part of the cosmic journey to explore the deepest and darkest parts of that universe. The album itself is more progressive and post-rock than anything we’ve done before as we always want to turn that next corner when it comes to making music.”

Later this year, Spaceslug will also contribute their dark reimagining of Pink Floyd’s ‘Don’t Leave Me Now’ to THE WALL [Redux], Magnetic Eye Records’ end-to-end homage to the iconic Pink Floyd album, featuring heavy music luminaries including The Melvins, Pallbearer, Mark Lanegan, Scott Reeder and Ruby the Hatchet.

Eye the Tide by Spaceslug is released worldwide on 20th July via BSFD Records. Pre-order now at https://spaceslug.bandcamp.com

Stream and share the new video for ‘Obsolith’ with Decibel Magazine HERE or follow the link below:

FIRE DOWN BELOW: Belgian fuzz rock quartet to release Hymn of the Cosmic Man | New video for ‘Saviour Of Man’ premiered on Doomed & Stoned

This June will see the official worldwide release of Hymn of the Cosmic Man, the brand-new studio album from Belgian progressive rock quartet, Fire Down Below.

Following on from last year’s hugely successful rerelease of Viper Vixen Goddess Saint, the Ghent-based foursome are back with yet another exceptional melee of fuzzed-out stoner rock, heavy psych and grunge on Ripple Music, home to some of the finest acts in recent years to emerge from the underground.

On Hymn of the Cosmic Man, Fire Down Below trade the hot desert winds of their debut for the cold desolation of outer space. With a storyline that pitches a single soul against an unnamed threat to mankind, the band express fear, hope, defeat, surrender and courage across seven tracks, making for one truly compelling journey.

“We had this background story that guided us in the songwriting process,” explains bassist Bert Wynsberghe. “Yet we left it somewhat vague so that it wouldn’t limit us and we could still pursue ideas that were more ‘out there’. That really worked for us, we got to explore new sonic territories and we’re excited to see what reactions we might get.”

As a glowing endorsement and belief in their sheer quality, Fire Down Below’s second full-length not only plants a flag into the earth’s crust, it endeavours to propel the band into orbit. Never ones to mess with a winning combination, after the critical acclaim of their debut, Fire Down Below teamed up again with Tim De Gieter at Much Luv Studio in Belgium for recording and mixing, with Brad Boatright at Audiosiege in Portland on mastering duties.

“We were happy to be able to work with Tim again. We’d raised the bar for ourselves for the new album and we were thrilled to see that he had done the same thing for his studio work. And then of course we’re super excited that Ripple Music is releasing this album. To be part of a family with bands such as Wo Fat and Mothership is just beyond anything we had ever considered possible.”

Already, the band has garnered some truly remarkable comparisons with bands like Truckfighters, Red Fang and Soundgarden, and now with Hymn of the Cosmic Man, from the swelling, space swallowing opening of ‘Red Giant’ and ‘Ignition/Space Cruiser’, to the spectacularly progressive closer ‘Adrift In A Sea Of Stars’, we will at last see them step up, take flight and traverse the universe powered by hard rock, stellar riffs and their own, breathtaking volition.

Hymn of the Cosmic Man by Fire Down Below is released worldwide on 8th June via Ripple Music. Stream and share new the new video for ‘Saviour Of Man’ below:

Introducing ABOLETH: LA-based dirt metal trio announce the release of debut album and US tour | Stream and share new single ‘Fork In The Road’

While still relatively new to the fold, Los Angeles-based dirt metal outfit Aboleth was founded in 2016 by guitarist Collyn McCoy (Trash Titan, The Ultra Electric Mega Galactic) and 21-year-old, whisky-throated vocalist Brigitte Roka.

The release of their debut EP that summer saw them arrive not only as a band to watch but quite simply a bande à part. As potential game changers, with an impressive, shapeshifting approach to heavy rock; sludge and swamp blues, their wide range of influences and technical diligence marked them out early on as the missing link between Acid Bath and Lightnin’ Hopkins.

“We’re metalheads who love the blues, and this band got stuck in a limbo between both,” explains Roka, who originally began working with McCoy in his previous outfit The Ultra Electric Mega Galactic. “This made writing really fun because we ended up creating a new cohesive sound that comes from many different influences. It’s heavy, it’s grungy, it’s folky, it’s even got Satan and witchcraft, and that whole ‘selling your soul at a desert crossroads’ vibe…”

As McCoy expands, “It’s on our new record where I think we really found our voice. It happened organically, too. As we were writing new songs, that was the material we connected with the most. That said it’s still very heavy, but in a way that compliments Brigitte’s natural grit and soul and reflects our love for the blues and desert rock.”

Signed and produced by the multi-platinum/Grammy-nominated producer, Ulrich Wild (Dethklok, Pantera, Deftones, Static-X) to his WURMgroup record label, two years on and Aboleth now find themselves patiently waiting in the wings with their first full-length album. Due for release this May, Benthos is a record as ambitious as it is imposing and one that makes absolutely no concessions to the casual listener. With enough power to move mountains, Roka’s striking vocals transform her into a siren in sound, and one whose hellacious wails are able to summon the sleeping spirts of Janis Joplin and Chris Cornell. While the driving hard rock tones and Tectonic-grinding riffs from McCoy and his famed “Baguitar” – a bass/guitar hybrid which offers the lows of the former and the highs of the latter – are quite simply not of this world.

“Essentially, I wanted to be Billy Gibbons and Dusty Hill at the same time,” he points out. “And not just in terms of facial hair. I wanted the thick, primal sound of a swampy bass and a gritty guitar moving in lockstep.”

Without ever truly securing the services of a regular drummer, a chance meeting one night after a show in a Long Beach dive bar found them procuring the percussive talents of none other than German multi-instrumentalist Marco Minnemann (Steven Wilson, Joe Satriani, Necrophagist) whose contribution to Benthos extends from first to last beat. Going into 2018 however, with a new record and an extensive tour (which kicks off this May), Aboleth have at last welcomed into the fold an enigmatic new fixture, Boll3t, a monster drummer hailing from Brazil.

With the US tour scheduled throughout May/June (see tour dates below) in support of the new album, fans can pre-order a copy of Benthos by Aboleth ahead of its official release on 25th May 2018 via WURMgroup Records here – Digital | CD/LP

In the meantime, you can steam and share new their brand new single ‘Fork In The Road’ below:

TOUR DATES:

5/11 – Cincinnati, OH – The Venue Center
5/13 – Braidwood, IL – Top Fuel Saloon
5/14 – Des Moines, IA – Vaudeville Mews
5/15 – Minneapolis, MN – Lee’s Liquor Lounge
5/16 – Sioux Falls, SD – Bigs Bar
5/18 – Lewiston, ID – 3rd Wheel
5/19 – Salt Lake City, UT – The Loading Dock
5/20 – Denver, CO – The Roxy Theater
5/21 – Kansas City, MO – The Riot Room
5/22 – Oklahoma City, OK – Kendells
5/23 – St. Louis, MO – Fubar
5/24 – Clarksville, TN – The Warehouse
5/25 – Atlanta, GA – The Masquerade
5/26 – Orlando, FL – The Haven
5/27 – Margate, FL – O’Malleys
5/28 – Greenville, SC – The Radio Room
5/29 – Fayetteville, NC – Drunk Horse Pub
5/30 – Brooklyn, NY – The Kingsland
5/31 – Pittsburgh, PA – The Smiling Moose
6/1 – Toledo, OH – New Longhorn Saloon
6/3 – Westland, MI – Token Lounge

DESTROYER OF LIGHT: Texan Harbingers of Doom Return with ‘Nyx’ from Hopeless EP

From deep within the belly of the beast, Texan harbingers of doom Destroyer of Light rise in 2018 with the release of a brand-new EP and string of West Coast tour dates throughout North America.

Hopeless EP is the latest in the Austin-based quartet’s devastating canon and will get an official release on 11th May through Heavy Friends Records. Containing two, practically feature-length tracks which set out to fill the silence between the praise of last year’s Chamber of Horrors and the promise of their follow up full-length next year, the EP charts an ominous course into the heart of darkness which deals directly with depression, suicide and drug addiction. Reworking the grim theatricality and crushing, heavy metal dirges of their earlier recordings, death and destruction is very much the order of service but with a new and somewhat progressively charged life-force.

“With Hopeless, I wanted to focus more on my clean singing, and our song writing has become more melodic while still maintaining the heavy riffs,” explains guitarist/vocalist Steve Colca. “We don’t limit ourselves to what we write, and the direction you’ll hear on this EP is a taste of what’s to come in the future.”

Unmistakably influenced by the likes of Electric Wizard, Mercyful Fate, EYEHATEGOD, Sleep and Autopsy, along with countless literary and horror anthologies, this new EP signals a massive shift in potential and a development that will see the band step out of cavernous, dank basements and into psychedelic realms hitherto unknown. What’s more, on their way to that strange place, over the coming months the band takes to the road for an extensive West Coast tour (see tour info below) in support of Hopeless, which will be released on 11th May 2018 on Heavy Friends Records.

TOUR DATES:

20th April – El Paso, TX – Neon Rose
21st April – Albuquerque, NM – Sister Bar
22nd April – Denver, CO – Streets of London
23rd April – Boise, ID – High Note Cafe
24th April – Richland, WA – Emerald
25th April – Tacoma, WA – The Valley
26th April – Portland, OR – High Water Mark
27th April – Sacramento, CA – The Blue Lamp
28th April – San Francisco, CA – Thee Parkside
29th April – Pacifica, CA – Winter’s Tavern East
30th April – Los Angeles, CA – Five Star Bar
1st May – San Diego, CA – Til Two Club
2nd May – Tempe, AZ – Yucca Tap Room
3rd May – El Paso, TX – Rockin’ Cigar Bar
4th May – Odessa, TX – The Gabby Doo Saloon
5th May – San Antonio, TX – Faust Tavern

Stream and share the new video for ‘Nyx’ – as premièred on Decibel earlier this week – right here: